[vc_row gap=”10″ text_color=”#ffffff” type=”image” bg_color=”#000000″ padding_top=”40px” padding_bottom=”40px” bg_image=”590″][vc_column]
STUDIO A or Farvem\u00f8llen (named after the old color mill building). Spacious and diverse recording with great capacity equipped with high-end equipment and microphones.<\/p>\n
[\/vc_hoverbox][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1673216404036{margin-top: 4% !important;margin-right: 2% !important;margin-bottom: 4% !important;margin-left: 2% !important;}”][vc_hoverbox image=”11″ primary_title=”” hover_title=”STUDIO C – MUSIC RECORDING” hover_background_color=”custom” el_width=”90″ hover_btn_title=”Request booking” hover_btn_style=”gradient” hover_btn_i_icon_fontawesome=”far fa-envelope” css_animation=”fadeIn” hover_add_button=”true” hover_btn_add_icon=”true” hover_btn_link=”url:mailto%3Astc%40stcstudios.com%3Fsubject%3DInquiry%2520about%2520studio%2520C%26body%3DHi%2520STC%2520STUDIOS%2520″ hover_custom_background=”rgba(255,77,37,0.8)”]<\/p>\n
STUDIO C is a wonderful recording space that can easily be customized to smaller recording sessions of bands and artists.<\/p>\n
[\/vc_hoverbox][\/vc_column_inner][\/vc_row_inner][vc_custom_heading text=”Dubbing Production” use_theme_fonts=”yes”][vc_separator color=”custom” accent_color=”#ff4d25″][vc_row_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1673216254980{margin-top: 4% !important;margin-right: 2% !important;margin-bottom: 4% !important;margin-left: 2% !important;}”][vc_hoverbox image=”1110″ primary_title=”” hover_title=”DUB 1 – DUBBING STUDIO” hover_background_color=”mulled-wine” el_width=”90″ hover_btn_title=”Send inquiry” hover_btn_style=”gradient” css_animation=”fadeIn” use_custom_fonts_primary_title=”true” hover_add_button=”true” hover_btn_link=”url:mailto%3Asm%40stcstudios.com%3Fsubject%3DInquiry%2520about%2520dubbing%2520project%26body%3DHi%2520STC%2520STUDIOS%2520″]<\/p>\n
Sound-treated dubbing studio with Pro Tools 12 and HD audio interface. Ideal for dubbing, voice-over or ADR sessions.<\/p>\n
[\/vc_hoverbox][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1673216297279{margin-top: 4% !important;margin-right: 2% !important;margin-bottom: 4% !important;margin-left: 2% !important;}”][vc_hoverbox image=”404″ primary_title=”” hover_title=”DUB 2 – DUBBING STUDIO” hover_background_color=”mulled-wine” el_width=”90″ hover_btn_title=”Send Inquiry” hover_btn_style=”gradient” css_animation=”fadeIn” hover_add_button=”true” hover_btn_link=”url:mailto%3Asm%40stcstudios.com%3Fsubject%3DInquiry%2520about%2520dubbing%2520project%26body%3DHi%2520STC%2520STUDIOS%2520″]<\/p>\n
Sound-treated dubbing studio with Pro Tools 12 and HD audio interface. Ideal for dubbing, voice-over or ADR sessions.<\/p>\n
[\/vc_hoverbox][\/vc_column_inner][\/vc_row_inner]\n\t\t\t<\/div>\n\t\t\t
Solid State Logic 4056G+ with Ultimation, Moving Faders, Total Recall, Bargraph metering and Film Panning. (Channel 1-40 with Black Cap EQ, Channel 41-56 with Brown Cap EQ.)
\nNeve Melbourne, 12 ch. 1073\u2019s<\/p>\n
Sony APR 24
\nMCI JH 24 and JH8*
\nSony 3324 DASH*
\n32 track ADAT*
\nTascam DA88*<\/p>\n
2 track recorders:<\/p>\n
Studer A80 VU 1\/2\u2033 2 Track
\nOtari MTR 10 1\/4\u2033*
\nSony APR 5000 with centre tc track*
\nSony 2700 DAT, 2500 DAT*
\n7050 DAT with synchroniser*<\/p>\n
A JSK system has also been integrated into the synchroniser chain, so that the ProTools (And any other hard disk recording system) can be directly controlled from the consoles centre section \u2013 so there is no need for a mouse when you are mixing! Timecode systems by Audio Kinetics. Multitrack: Digidesign Pro-Tools HD3 system is fitted as standard in the mix area. 48 X Inputs \/ 64 Outputs with Apogee AD16X-DA16X Converters. The recording and editing system is fully integrated into the console and studio. Main monitoring provided by Genelec 1039A. Nearfield monitoring is from a selection from ADAM S3A, ADAM A5-p, ADAM A7, Genelec 1031A, KRK E7 , Yamaha NS10 and Auratone, Tannoy Little Gold, KRK 6000 by choice. Aviom 16ch personal monitor system with 8 units. MCI JH-556 56CH (Computer mix disabled) MCI JH 16<\/p>\n Digidesign Pro-Tools HD3 system with 48 i\/o Apogee AD16X-DA16X Converters. The recording and editing system is fully integrated into the console and studio.<\/p>\n Aviom 16ch personal monitor system with 8 units, AKG K240, K270 & K271[\/vc_column_text][vc_column_text]<\/p>\n JBL Front 12\u00d74771a Topkasser med 8 x TCB JBL subs med 18\u2032 og 15\u2032. 10 monitorkasser med 12\u2032.<\/p>\n Aviom monitorsystem m. 8 stk.mixere, samt shure In-Ear plugs. 2 x komplete s\u00e6t Broken Glass Gretch Trommes\u00e6t: 22\u2019, 10\u2019, 12\u2019, 14\u2019, 16\u2032 \u00a0– med 2 x Yamaha lilletrommer (Steve G, Steve J) For our large microphone inventory visit the\u00a0\u00a0microphones page here<\/a><\/p>\n Oram Octasonic (8 ch.), Universal Audio 8110 (8 ch.), Avalon 737sp, Mellenia UV3-B, Neuman V72 (x2), Siemens V78 (x1), Rostec lm4a (x24), TubeTech MP1A, Neumann W476B (x4), Danfield MX20vpr (x6), Neve 9098 Eq (x2)<\/p>\n Distressor (x4), Altec 436 (x3), ADL C\/L1500 stereo compressor (x3), Neve 33609 stereo compressor (x2), Urei LA4 (x11), Urei 1178, Eventide Omnipressor, Joemeek, Avalon 747, Fariman TMC stereo mastercompressor, SSL multichannel compressor (x2), GML 8900 stereo Compressor, Tube Tech CL-1A (x2), Dbx 165A (x4), Dbx 902 de-essers (x4), Urei LA4 (x2), Urei 1176LN (x2), Neve B6 stereo compressor , Joe Meek, BSS Compressor, Sony DAL digital limiter, Aphex studio Dominator, Dbx 166 Compressor , NTP compressors, Focusrite, Pye and a range of other systems\u2026<\/p>\n GML 8200 Eq, Orban 622B stereo eq (x2), Nightpro EQ-3D, Neumann W495B EQ modules (x4) Tube-Tech PE 1B (x2), API EQ Lunch Box with 560b (x2) 550b (x2)<\/p>\n Lexicon 960, AMS RMX16, AMS S-DMX, EMT251, TC2290, Ursa Major Space Station (x2), Lexicon Varispeech, Lexicon 200, Eventide instant flanger, Eventide H910 harmonizer, Eventide PS101 phaser, Live reverb chamber, Roland Dimension D (x2), Lexicon 300, Eventide H3000, Yamaha SPX90, Korg SDD2000, Tc M5000, EMT 240 (x3), EMT 140 (x3), AKG BX20 (x2), AKG BX15, TC2290, Dimension D, Aphex B\u2026 and a range of other systems\u2026<\/p>\n Apogee AD1000, Danish Digital Audio 2402 converters.<\/p>\n Steinway C Grand piano, Hohner D6, Wurlitzer (200A), Alembic Signature Bass (1 x Quilted Maple top & 1 x Superb Flame Walnut Top), Laney VC50, Ludwig and Gretsch drumkits, Harmonium, Hammond A100 organ, Hammond Organ & Leslie (147Tube & 770), Fender Rhodes, Mellotron, Vox AC30, Fender Twin Reverb, Polytone 101 Custom Bass Amp, Fender Vibrosonic Reverb , Fender stratocaster 1963, fender telecaster 1967, Fender Jaguar 1965.[\/vc_column_text][vc_column_text]<\/p>\n Distressor (x4), CBS Audiomax RIIZ (x4), CBS Audiomax III Stereo (x1),\u00a0Fairchild model C (x2), Altec 436 (x2), ADL C\/L1500 stereo compressor (x1), ADL C\/L 1000 (x1), Urei LA4 (x2), Urei LA3A (x2),\u00a0Dbx 165A (x2), Urei LA4 (x2), NTP compressors 179-140 (x2), NTP compressors 179-160 (x4) , Focusrite 3 (x1), EMT 260 Filter\/ Limiter (De-Esser) (x1),<\/p>\n GML 8200 Eq, Orban 622B stereo eq, Neumann W495B EQ modules (x4)<\/p>\n Lexicon 480, Lexicon 224, Lexicon 300, Lexicon 200, EMT 240, EMT 140, AKG BX20, AKG BX15, Roland Dimension D, Korg SDD2000, Roland RE-201, Binson Echorec.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_message message_box_style=”solid-icon” message_box_color=”warning” icon_fontello=”info-circled” css=”.vc_custom_1673007523351{margin-top: 2% !important;}”]We are willing to move equipment from studio to studio upon request, as long as it dosen\u2019t conflict with other bookings. Please contact the studio maneger for further details.[\/vc_message]\n\t\t\t<\/div>\n\t\t\t U47 (VF-14 tube) x3 C800G x1 ELA M 251 x1 4006 x2 CMT 44 x3 MT71-S x1<\/p>\n Ribbon Mic<\/p>\n Ribbon Mic[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]<\/p>\n The tube x2 MD421 x9 BM5 x3 SM7B x1 M88N x1 D1122 x1[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]<\/p>\n Pizzo gtr. Clip<\/p>\n CU32 x2<\/p>\n TB-94 x2 RE10 x4 MC012 x2 Bass x3 D2 x4<\/p>\n 74B x6 639A x2<\/p>\n RBH x1<\/p>\n Classic w\/ AC701 tube (Custom) x2[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]\n\t\t\t<\/div><\/div><\/div><\/div> STUDIO A or Farvem\u00f8llen (named after the old color mill building). Spacious and diverse recording with great capacity equipped with high-end equipment and microphones.<\/p>\n [\/vc_hoverbox][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1673216404036{margin-top: 4% !important;margin-right: 2% !important;margin-bottom: 4% !important;margin-left: 2% !important;}”][vc_hoverbox image=”11″ primary_title=”” hover_title=”STUDIO C – MUSIC RECORDING” hover_background_color=”custom” el_width=”90″ hover_btn_title=”Request booking” hover_btn_style=”gradient” hover_btn_i_icon_fontawesome=”far fa-envelope” css_animation=”fadeIn” hover_add_button=”true” hover_btn_add_icon=”true” hover_btn_link=”url:mailto%3Astc%40stcstudios.com%3Fsubject%3DInquiry%2520about%2520studio%2520C%26body%3DHi%2520STC%2520STUDIOS%2520″ hover_custom_background=”rgba(255,77,37,0.8)”]<\/p>\n STUDIO C is a wonderful recording space that can easily be customized to smaller recording sessions of bands and artists.<\/p>\n [\/vc_hoverbox][\/vc_column_inner][\/vc_row_inner][vc_custom_heading text=”Dubbing Production” use_theme_fonts=”yes”][vc_separator color=”custom” accent_color=”#ff4d25″][vc_row_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1673216254980{margin-top: 4% !important;margin-right: 2% !important;margin-bottom: 4% !important;margin-left: 2% !important;}”][vc_hoverbox image=”1110″ primary_title=”” hover_title=”DUB 1 – DUBBING STUDIO” hover_background_color=”mulled-wine” el_width=”90″ hover_btn_title=”Send inquiry” hover_btn_style=”gradient” css_animation=”fadeIn” use_custom_fonts_primary_title=”true” hover_add_button=”true” hover_btn_link=”url:mailto%3Asm%40stcstudios.com%3Fsubject%3DInquiry%2520about%2520dubbing%2520project%26body%3DHi%2520STC%2520STUDIOS%2520″]<\/p>\n Sound-treated dubbing studio with Pro Tools 12 and HD audio interface. Ideal for dubbing, voice-over or ADR sessions.<\/p>\n [\/vc_hoverbox][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1673216297279{margin-top: 4% !important;margin-right: 2% !important;margin-bottom: 4% !important;margin-left: 2% !important;}”][vc_hoverbox image=”404″ primary_title=”” hover_title=”DUB 2 – DUBBING STUDIO” hover_background_color=”mulled-wine” el_width=”90″ hover_btn_title=”Send Inquiry” hover_btn_style=”gradient” css_animation=”fadeIn” hover_add_button=”true” hover_btn_link=”url:mailto%3Asm%40stcstudios.com%3Fsubject%3DInquiry%2520about%2520dubbing%2520project%26body%3DHi%2520STC%2520STUDIOS%2520″]<\/p>\n Sound-treated dubbing studio with Pro Tools 12 and HD audio interface. Ideal for dubbing, voice-over or ADR sessions.<\/p>\n [\/vc_hoverbox][\/vc_column_inner][\/vc_row_inner]\r\n\t\t\t <\/div>\r\n \t<\/dd> Solid State Logic 4056G+ with Ultimation, Moving Faders, Total Recall, Bargraph metering and Film Panning. (Channel 1-40 with Black Cap EQ, Channel 41-56 with Brown Cap EQ.) Sony APR 24 2 track recorders:<\/p>\n Studer A80 VU 1\/2\u2033 2 Track A JSK system has also been integrated into the synchroniser chain, so that the ProTools (And any other hard disk recording system) can be directly controlled from the consoles centre section \u2013 so there is no need for a mouse when you are mixing! Timecode systems by Audio Kinetics. Multitrack: Digidesign Pro-Tools HD3 system is fitted as standard in the mix area. 48 X Inputs \/ 64 Outputs with Apogee AD16X-DA16X Converters. The recording and editing system is fully integrated into the console and studio. Main monitoring provided by Genelec 1039A. Nearfield monitoring is from a selection from ADAM S3A, ADAM A5-p, ADAM A7, Genelec 1031A, KRK E7 , Yamaha NS10 and Auratone, Tannoy Little Gold, KRK 6000 by choice. Aviom 16ch personal monitor system with 8 units. MCI JH-556 56CH (Computer mix disabled) MCI JH 16<\/p>\n Digidesign Pro-Tools HD3 system with 48 i\/o Apogee AD16X-DA16X Converters. The recording and editing system is fully integrated into the console and studio.<\/p>\n Aviom 16ch personal monitor system with 8 units, AKG K240, K270 & K271[\/vc_column_text][vc_column_text]<\/p>\n JBL Front 12\u00d74771a Topkasser med 8 x TCB JBL subs med 18\u2032 og 15\u2032. 10 monitorkasser med 12\u2032.<\/p>\n Aviom monitorsystem m. 8 stk.mixere, samt shure In-Ear plugs. 2 x komplete s\u00e6t Broken Glass Gretch Trommes\u00e6t: 22\u2019, 10\u2019, 12\u2019, 14\u2019, 16\u2032 \u00a0– med 2 x Yamaha lilletrommer (Steve G, Steve J) For our large microphone inventory visit the\u00a0\u00a0microphones page here<\/a><\/p>\n Oram Octasonic (8 ch.), Universal Audio 8110 (8 ch.), Avalon 737sp, Mellenia UV3-B, Neuman V72 (x2), Siemens V78 (x1), Rostec lm4a (x24), TubeTech MP1A, Neumann W476B (x4), Danfield MX20vpr (x6), Neve 9098 Eq (x2)<\/p>\n Distressor (x4), Altec 436 (x3), ADL C\/L1500 stereo compressor (x3), Neve 33609 stereo compressor (x2), Urei LA4 (x11), Urei 1178, Eventide Omnipressor, Joemeek, Avalon 747, Fariman TMC stereo mastercompressor, SSL multichannel compressor (x2), GML 8900 stereo Compressor, Tube Tech CL-1A (x2), Dbx 165A (x4), Dbx 902 de-essers (x4), Urei LA4 (x2), Urei 1176LN (x2), Neve B6 stereo compressor , Joe Meek, BSS Compressor, Sony DAL digital limiter, Aphex studio Dominator, Dbx 166 Compressor , NTP compressors, Focusrite, Pye and a range of other systems\u2026<\/p>\n GML 8200 Eq, Orban 622B stereo eq (x2), Nightpro EQ-3D, Neumann W495B EQ modules (x4) Tube-Tech PE 1B (x2), API EQ Lunch Box with 560b (x2) 550b (x2)<\/p>\n Lexicon 960, AMS RMX16, AMS S-DMX, EMT251, TC2290, Ursa Major Space Station (x2), Lexicon Varispeech, Lexicon 200, Eventide instant flanger, Eventide H910 harmonizer, Eventide PS101 phaser, Live reverb chamber, Roland Dimension D (x2), Lexicon 300, Eventide H3000, Yamaha SPX90, Korg SDD2000, Tc M5000, EMT 240 (x3), EMT 140 (x3), AKG BX20 (x2), AKG BX15, TC2290, Dimension D, Aphex B\u2026 and a range of other systems\u2026<\/p>\n Apogee AD1000, Danish Digital Audio 2402 converters.<\/p>\n Steinway C Grand piano, Hohner D6, Wurlitzer (200A), Alembic Signature Bass (1 x Quilted Maple top & 1 x Superb Flame Walnut Top), Laney VC50, Ludwig and Gretsch drumkits, Harmonium, Hammond A100 organ, Hammond Organ & Leslie (147Tube & 770), Fender Rhodes, Mellotron, Vox AC30, Fender Twin Reverb, Polytone 101 Custom Bass Amp, Fender Vibrosonic Reverb , Fender stratocaster 1963, fender telecaster 1967, Fender Jaguar 1965.[\/vc_column_text][vc_column_text]<\/p>\n Distressor (x4), CBS Audiomax RIIZ (x4), CBS Audiomax III Stereo (x1),\u00a0Fairchild model C (x2), Altec 436 (x2), ADL C\/L1500 stereo compressor (x1), ADL C\/L 1000 (x1), Urei LA4 (x2), Urei LA3A (x2),\u00a0Dbx 165A (x2), Urei LA4 (x2), NTP compressors 179-140 (x2), NTP compressors 179-160 (x4) , Focusrite 3 (x1), EMT 260 Filter\/ Limiter (De-Esser) (x1),<\/p>\n GML 8200 Eq, Orban 622B stereo eq, Neumann W495B EQ modules (x4)<\/p>\n Lexicon 480, Lexicon 224, Lexicon 300, Lexicon 200, EMT 240, EMT 140, AKG BX20, AKG BX15, Roland Dimension D, Korg SDD2000, Roland RE-201, Binson Echorec.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_message message_box_style=”solid-icon” message_box_color=”warning” icon_fontello=”info-circled” css=”.vc_custom_1673007523351{margin-top: 2% !important;}”]We are willing to move equipment from studio to studio upon request, as long as it dosen\u2019t conflict with other bookings. Please contact the studio maneger for further details.[\/vc_message]\r\n\t\t\t <\/div>\r\n \t<\/dd> U47 (VF-14 tube) x3 C800G x1 ELA M 251 x1 4006 x2 CMT 44 x3 MT71-S x1<\/p>\n Ribbon Mic<\/p>\n Ribbon Mic[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]<\/p>\n The tube x2 MD421 x9 BM5 x3 SM7B x1 M88N x1 D1122 x1[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]<\/p>\n Pizzo gtr. Clip<\/p>\n CU32 x2<\/p>\n TB-94 x2 RE10 x4 MC012 x2 Bass x3 D2 x4<\/p>\n 74B x6 639A x2<\/p>\n RBH x1<\/p>\n Classic w\/ AC701 tube (Custom) x2[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]\r\n\t\t\t <\/div>\r\n \t<\/dd>\r\n \t<\/dl>\r\n \r\n<\/div>\r\n\r\n<\/div>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row gap=”10″ text_color=”#ffffff” type=”image” bg_color=”#000000″ padding_top=”40px” padding_bottom=”40px” bg_image=”590″][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-62","page","type-page","status-publish","hentry"],"yoast_head":"\n
\n*Available on request<\/em><\/p>\nDaw<\/h3>\n
\nStereo: PC based 2 channel mastering system with Merian Marc Pro 2 In\/Out. WaveLab. HHB CD burner unit.<\/p>\nMonitoring<\/h3>\n
\nFor multi-channel applications: A 5.1 discrete monitoring Miller & Kreisel system is installed. This is a THX approved system with tri-polar surround monitoring. Full range or X-curve Equalization.<\/p>\nHeadphone System<\/h3>\n
\nHeadphones: AKG K240, K270 & K271 & Sennheiser HD 212 Pro[\/vc_column_text][vc_column_text]<\/p>\nC STUDIO<\/h2>\n
Consoles<\/h3>\n
\nNeve 1070 12 ch. (modified; direct outs with Neumann trafos)<\/p>\nTape machines:<\/h3>\n
Daw<\/h3>\n
Headphone System<\/h3>\n
REHEARSAL STUDIO<\/h2>\n
\n9 x Crown I-tech Power amps 2 x 16000w.
\n2 x DBX Driverrack PA.
\nDigidesign Venue SC48 \u2013 48 ch. med flightcase, Sk\u00e6rm og mus.
\n2 xSoundcraft 32 ch Mixer, 6 aux, 4 sub.<\/p>\n
\nHearback In-Ear monitor system, 8 stk. mixere.
\nAnalog Efx-rack med 2 x Neve Comp, 2 x Stereo SSL comp, DBX, Klark EQ, TC, Eventide 3500, gates, m.m
\n2 x SM58 Beta Tr\u00e5dl\u00f8s, Shure Tr\u00e5dl\u00f8s til Guitar, Shure Headset mic \u2013 Tr\u00e5dl\u00f8s,
\nAKG, Shure, Neumann. Med andre ord: Mics til hele bandet med sm\u00e5 og store stativer.
\nKomplet Roadready scene 24 m2, 30 cm h\u00f8j, samt 4m2 i 40 cm. \u2013 kan bruges som trommepodie.
\n10 x Par56 lamper med 2 x stativer, 2 x DMC discolamper, og Discokugle.<\/p>\nBackline<\/h3>\n
\nSWR 8\u00d710\u2019 bash\u00f8jtalere med GK Amp.
\nTrace Elliot GP7 Combo 4\u00d710\u2032
\nSWR Bas anl\u00e6g med SWR Amp, 4\u00d710\u2032, 1\u00d715\u2032
\nFender \u201dBlues\u201d Guitaramp
\nClavia Nord 88 keyboard med stativ
\nHammond BX3 med Leslie 760[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\nADDITIONAL GEAR IN STUDIO A<\/h2>\n
Mic pre-amps<\/h3>\n
Dynamics<\/h3>\n
EQ and filters<\/h3>\n
FX processors<\/h3>\n
ADAC converters:<\/h3>\n
Instruments<\/h3>\n
ADDITIONAL GEAR IN STUDIO C<\/h2>\n
Dynamics<\/h3>\n
EQ and filters<\/h3>\n
FX processors<\/h3>\n
Neumann<\/h3>\n
\nU47 FET x6
\nU48(VF-14 tube) x2
\nU77 x1
\nU87 x1
\nU87A x1
\nU89 x2
\nU67 x5
\nM147 x1
\nM49 x1
\nM269 x3
\nSM69 FET (stereo) x4
\nKM56 x5
\nKM64 x3
\nKM84i x12
\nKM86i x6<\/p>\nSony<\/h3>\n
\nC800 x1
\nC-37P x1<\/p>\nTelefunken<\/h3>\n
\nTD 19C x1<\/p>\nDPA<\/h3>\n
\n4010 x2
\n4011 x8<\/p>\nSchoeps<\/h3>\n
\nCMT 34 x1<\/p>\nMicrotech Gefell<\/h3>\n
Meazzi<\/h3>\n
Walchris<\/h3>\n
AKG<\/h3>\n
\nC414B XL-II Stereo pair
\nC414EB x2
\nC408 Tom clips x5
\nC451C x2
\nC451E x2
\nCK9 x1<\/em>
\nC28A x1
\nD12E x3
\nD112E x1
\nD1200E x2<\/p>\nSennheiser<\/h3>\n
\nMD441 x4
\nMD21 x3
\nMKH 416 x1
\nMKH 60 x1<\/p>\nB&O<\/h3>\n
\nBM8 x1<\/p>\nShure<\/h3>\n
\nSM57 x6
\nSM57 beta x1
\nSM58 x3
\nSM58 beta
\nSM33 x1
\nKSM32 x1
\n520D x1
\nMX4125<\/em>
\nSM81 x3<\/p>\nBeyer Dynamics<\/h3>\n
\nM360 x1
\nM260-DX x4
\nM260 N x1<\/p>\nLD<\/h3>\n
MCA<\/h3>\n
Sanken<\/h3>\n
BPM<\/h3>\n
\nCR-73<\/p>\nElectroVoice<\/h3>\n
\nRE16 x1
\nRE20 x2
\nDS35 x1
\n635A x2<\/p>\nOktava<\/h3>\n
\nMK-319 x1<\/p>\nSoundLab<\/h3>\n
\nCello x4
\nViola x5
\nViolin x14<\/p>\nAudix<\/h3>\n
RCA<\/h3>\n
\n44BX x2
\n77DX x2<\/p>\nAltec\/Western Electric<\/h3>\n
Reslo<\/h3>\n
R\u00f8de<\/h3>\n
A STUDIO<\/h2>\n
Consoles<\/h3>\n
\nNeve Melbourne, 12 ch. 1073\u2019s<\/p>\nTape machines:<\/h3>\n
\nMCI JH 24 and JH8*
\nSony 3324 DASH*
\n32 track ADAT*
\nTascam DA88*<\/p>\n
\nOtari MTR 10 1\/4\u2033*
\nSony APR 5000 with centre tc track*
\nSony 2700 DAT, 2500 DAT*
\n7050 DAT with synchroniser*<\/p>\n
\n*Available on request<\/em><\/p>\nDaw<\/h3>\n
\nStereo: PC based 2 channel mastering system with Merian Marc Pro 2 In\/Out. WaveLab. HHB CD burner unit.<\/p>\nMonitoring<\/h3>\n
\nFor multi-channel applications: A 5.1 discrete monitoring Miller & Kreisel system is installed. This is a THX approved system with tri-polar surround monitoring. Full range or X-curve Equalization.<\/p>\nHeadphone System<\/h3>\n
\nHeadphones: AKG K240, K270 & K271 & Sennheiser HD 212 Pro[\/vc_column_text][vc_column_text]<\/p>\nC STUDIO<\/h2>\n
Consoles<\/h3>\n
\nNeve 1070 12 ch. (modified; direct outs with Neumann trafos)<\/p>\nTape machines:<\/h3>\n
Daw<\/h3>\n
Headphone System<\/h3>\n
REHEARSAL STUDIO<\/h2>\n
\n9 x Crown I-tech Power amps 2 x 16000w.
\n2 x DBX Driverrack PA.
\nDigidesign Venue SC48 \u2013 48 ch. med flightcase, Sk\u00e6rm og mus.
\n2 xSoundcraft 32 ch Mixer, 6 aux, 4 sub.<\/p>\n
\nHearback In-Ear monitor system, 8 stk. mixere.
\nAnalog Efx-rack med 2 x Neve Comp, 2 x Stereo SSL comp, DBX, Klark EQ, TC, Eventide 3500, gates, m.m
\n2 x SM58 Beta Tr\u00e5dl\u00f8s, Shure Tr\u00e5dl\u00f8s til Guitar, Shure Headset mic \u2013 Tr\u00e5dl\u00f8s,
\nAKG, Shure, Neumann. Med andre ord: Mics til hele bandet med sm\u00e5 og store stativer.
\nKomplet Roadready scene 24 m2, 30 cm h\u00f8j, samt 4m2 i 40 cm. \u2013 kan bruges som trommepodie.
\n10 x Par56 lamper med 2 x stativer, 2 x DMC discolamper, og Discokugle.<\/p>\nBackline<\/h3>\n
\nSWR 8\u00d710\u2019 bash\u00f8jtalere med GK Amp.
\nTrace Elliot GP7 Combo 4\u00d710\u2032
\nSWR Bas anl\u00e6g med SWR Amp, 4\u00d710\u2032, 1\u00d715\u2032
\nFender \u201dBlues\u201d Guitaramp
\nClavia Nord 88 keyboard med stativ
\nHammond BX3 med Leslie 760[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\nADDITIONAL GEAR IN STUDIO A<\/h2>\n
Mic pre-amps<\/h3>\n
Dynamics<\/h3>\n
EQ and filters<\/h3>\n
FX processors<\/h3>\n
ADAC converters:<\/h3>\n
Instruments<\/h3>\n
ADDITIONAL GEAR IN STUDIO C<\/h2>\n
Dynamics<\/h3>\n
EQ and filters<\/h3>\n
FX processors<\/h3>\n
Neumann<\/h3>\n
\nU47 FET x6
\nU48(VF-14 tube) x2
\nU77 x1
\nU87 x1
\nU87A x1
\nU89 x2
\nU67 x5
\nM147 x1
\nM49 x1
\nM269 x3
\nSM69 FET (stereo) x4
\nKM56 x5
\nKM64 x3
\nKM84i x12
\nKM86i x6<\/p>\nSony<\/h3>\n
\nC800 x1
\nC-37P x1<\/p>\nTelefunken<\/h3>\n
\nTD 19C x1<\/p>\nDPA<\/h3>\n
\n4010 x2
\n4011 x8<\/p>\nSchoeps<\/h3>\n
\nCMT 34 x1<\/p>\nMicrotech Gefell<\/h3>\n
Meazzi<\/h3>\n
Walchris<\/h3>\n
AKG<\/h3>\n
\nC414B XL-II Stereo pair
\nC414EB x2
\nC408 Tom clips x5
\nC451C x2
\nC451E x2
\nCK9 x1<\/em>
\nC28A x1
\nD12E x3
\nD112E x1
\nD1200E x2<\/p>\nSennheiser<\/h3>\n
\nMD441 x4
\nMD21 x3
\nMKH 416 x1
\nMKH 60 x1<\/p>\nB&O<\/h3>\n
\nBM8 x1<\/p>\nShure<\/h3>\n
\nSM57 x6
\nSM57 beta x1
\nSM58 x3
\nSM58 beta
\nSM33 x1
\nKSM32 x1
\n520D x1
\nMX4125<\/em>
\nSM81 x3<\/p>\nBeyer Dynamics<\/h3>\n
\nM360 x1
\nM260-DX x4
\nM260 N x1<\/p>\nLD<\/h3>\n
MCA<\/h3>\n
Sanken<\/h3>\n
BPM<\/h3>\n
\nCR-73<\/p>\nElectroVoice<\/h3>\n
\nRE16 x1
\nRE20 x2
\nDS35 x1
\n635A x2<\/p>\nOktava<\/h3>\n
\nMK-319 x1<\/p>\nSoundLab<\/h3>\n
\nCello x4
\nViola x5
\nViolin x14<\/p>\nAudix<\/h3>\n
RCA<\/h3>\n
\n44BX x2
\n77DX x2<\/p>\nAltec\/Western Electric<\/h3>\n
Reslo<\/h3>\n
R\u00f8de<\/h3>\n